9 Arana Hillside Piedmont + LMB Interiors--6

What to Expect at Your Painting Estimate – San Francisco Bay Area

There’s a level of trust placed in any home service provider as they work in and around your home. Building this trust starts from the moment you contact Arana Craftsman Painters to come to your home or business and provide you with an Estimate.

This article helps you understand what to expect at an Arana Craftsman Painters Estimating Consultation.
This is Part 3 in our series sharing the Arana Craftsman Painters’ philosophy which we fondly call The Craftsman Way.

At Arana Craftsman Painters, we leave little to chance because we follow a tried-and-true set of steps. The philosophy behind the crucial process steps we take on every project is our “secret sauce” so to speak and it has allowed us to consistently build a reputation of reliability, exceptional quality and professionalism over the last 20 years.

next door, houzz and yelp

The steps to exceptional painting include:

  • A thorough and professional Estimating Consultation, more on that below!
  • The “3C’s” of Consistency, Clean Up, and Communication
  • Protecting your home and environment (family, pets, surrounding surfaces, furnishings, valuables, all areas not scheduled for paint)
  • Scraping/sanding to remove old layers of paint that will negatively impact the integrity of your new paint at a standard that meets our 5 Year Warranty
  • Thorough cleaning of the surfaces scheduled for work to remove any contaminants
  • Priming, Caulking and Patching
  • Exceptional Painting

What to Expect at Your Appointment

Overview
Please allow about an hour to an hour and a half for our appointment. Before our Estimator starts, they’ll give a brief overview as to what will happen while we are on the property and address any concerns you may have regarding our process, scheduling needs, budget, and special considerations.

Project Audit
An audit will be conducted to determine the present condition of your home, and we’ll take measurements and photos. We’ll will note surface conditions and use this information to create a ‘written recommendations’ document for you to review. We’ll can also provide alternatives and suggestions to achieve the outcome you are looking for.

Presentation of Recommendations
When you receive our proposal, it will thoroughly explain the scope of work required to achieve your desired outcome. We typically check in within a day of sending, and can answer any additional questions you may have.

Determine Next Steps
After reviewing our proposal and signing the contract, we will schedule a job walk with our production manager and put your project into the production calendar.

Frequently Asked Questions

How Long Have You Been In Business?
“Arana Craftsman Painters has been proudly serving the San Francisco Bay area for 20 years because not only do our past customers continue to come back but also refer us to their friends and neighbors.”

How Do You Hire and Evaluate Your Painters?
“We are very selective in hiring our painters and administer a criminal background check for every painter. Most of our painters, especially our crew leaders, have been with us for years. We trust them in the homes of our own friends and relatives.”

What Process Do You Use to Prepare Surfaces to Make Sure the Paints Adheres Properly?
Arana is an EPA Lead-Safe Certified Contractor. Following EPA Lead-Safe Certified procedures we completely remove all failed loose and flaking material from surfaces and substrates to a standard that will meet our 5 Year Warranty.

Lead Safe Certified Firm

EPA Lead-Safe Firm

Often, this is done by manually scraping followed by pressure washing. It’s standard for surfaces to be abraded, thoroughly sanded, profiled, and primed to guarantee adhesion. That’s why we take our time where it counts – especially in the preparation.

For the safety of everyone involved, are all the painting contractors you have bidding on your project EPA Lead-Safe Certified?

“YES! For more information on our process see: The 3C’s of a Superior House Painting Process – San Francisco”

What Type of Guarantee do You Offer?
“We offer a 5 year warranty on all projects, the strongest guarantee in the Bay Area! So, if you notice an issue – small or large – please call our office. We strive to create “customers for life” and do annual warranty check ins. The bottom line is that you can call us any time after your project has been completed!”

What Type of Paint Do You Recommend?
“We use only the premium lines with Sherwin Williams and Benjamin Moore because we have a strong relationship with both brands and they produce superior products. This means if there is ever a manufacturing defect, we know that these companies will stand behind our work – and your project. However, we do make exceptions when there are superior products in specific situations or if our customers have a strong product preference.”

Are you Licensed, Bonded & Insured?
“Absolutely! We make certain we protect our customers by carrying the appropriate insurance coverage for general liability and workers compensation. Additionally, we are licensed by all local authorities and continually seek out industry recognized certifications and designations to add to our customer’s peace of mind.”

Prep and Color Consult
Can You Provide References?
“Yes! References right in your neighborhood are included with all proposals! Feel free to ask for more!”

When Will I Receive My Proposal?
“We will send it no later than 5 business days after our meeting.”

When Do You Take Payment?”
We only take payment per a payment schedule upon work completed. The schedule is detailed in our Proposal/ Contract. We ask for a deposit of 10% or no greater than $1000 to hold your spot on our calendar.”

Have a Painting Project You’d Like Us to Look at For You
or Questions!?

606A1619 2-1

The 3C’s of a Superior House Painting Process – San Francisco Bay Area

These are our “3C’s” of a successful project process and the key to why people love working with Arana Craftsman Painters!

next door, houzz and yelp

At Arana Craftsman Painters, we leave little to chance because we follow a tried-and-true set of steps.

This is Part 2 in our series (Part 1 can be found here) and Part 3 is here) sharing the Arana Craftsman Painters’ philosophy which we fondly call The Craftsman Way. The philosophy behind the crucial process steps we take on every project is our “secret sauce” so to speak and it has allowed us to consistently build a reputation of reliability, exceptional quality and professionalism over the last 17 years.

The steps to exceptional painting include:

  • The “3C’s”, more on that below!!
  • Protecting your home and environment (family, pets, surrounding surfaces, furnishings, valuables, all areas not scheduled for paint)
  • Scraping/sanding to remove old layers of paint that will negatively impact the integrity of your new paint at a standard that meets our 5 Year Warranty
  • Five Year Warranty
Five Year Painting Warranty
  • Thorough cleaning of the surfaces scheduled for work to remove any contaminants
  • Priming, Caulking and Patching
  • Exceptional Painting

Consistency

Protection
We invest heavily in all the correct tools and materials and use quality plastic, drop cloths, paper, and tape to protect the surfaces of your home and environment that are not scheduled to be painted.

Preparation
Paint will not adhere properly without expert preparation. Proper preparation is the cornerstone of exceptional quality.

We sand, scrape, and prime as appropriate to ensure proper adhesion. We contain particulate and dust exposure per Environmental Protection Agency safety standards and Arana Craftsman Painters is an EPA Lead-Safe Certified Contractor. EPA Lead-Safe Firm

Lead Safe Certified Firm

For the safety of everyone involved, are all the painting contractors you have bidding on your project EPA

Lead-Safe Certified?

After primer is applied, we patch, caulk and fill for aesthetic and in some cases sealing purposes or to prevent water incursion.

Painting the Finish
We employ highly skilled craftsmen, use quality materials and utilize a consistent and proven method. We apply paint to uniformly and completely coat your surfaces with the appropriate amount of material and paint thickness. The results are stunning and durable.

Communication

Pre Job Walkthrough: Our Production
Manager and Estimator will meet with you prior to the scheduled project start date to confirm start date, scope, sequencing, and colors. Essentially all expectations are reconfirmed to assure smooth handoff between our Estimator and our Production Department. Proper communication is the key to exceptional quality and you having a great painting experience. At this point when we arrive at your project, our Crew Leader and Crew have a solid plan as to what processes will take place first and in what areas.

Cass Morris 66th St cropped

Color Consultation: Arana Craftsman Painters works with top San Francisco Bay Area Color Consultants. The option of a color consult is included in our bid. Having colors chosen ahead of time makes your life so much easier. We’ll put up swatches (a.k.a. “Brush outs”) so you can see the colors in real life and make an informed decision.

Scheduling & Logistics: Our dedicated Service Manager will connect with you to handle scheduling and job logistics; the Crew Leader assigned to your project can answer your questions about daily activity; Our Production Manager stops in and assists the Crew Leader in planning; Our Estimator is standing by should any questions about the work order arise and Office Coordinator will send invoices at the completion of each phase of the project. Throughout the duration of your project, we listen and address any concerns promptly and thoroughly

Daily Onsite Management: In addition to a dedicated Production Manager, every project has a dedicated Crew Leader who works closely with you, our Production Manager and our office to assure timely resolution to any challenges that arise, scope changes, quality control, sequencing and assuring you have an amazing painting experience!

Have a Painting Project You’d Like Us to Look at For You or Questions!?

Danielle Fox of SLATE contemporary. Photo credit: Lauren Edith

Home as Canvas and Art Gallery

Interior painting and artwork have an intimate relationship. The way that light reflects, the color tones shifting against the other’s presence. It is no small thing to choose the right location, lighting, and wall color for art, or to choose the right wall color when those factors have been set.

Which is why we adore and appreciate Danielle Fox and her team of art consultants at SLATE Contemporary in Oakland. An art consultancy and gallery, SLATE represents primarily California artists, many of them from the Bay Area, with a focus on modern contemporary art.

“Our gallery and consultancy is known for contemporary, abstract art. We are always looking for a strong sense of formal qualities, which is about what the materials are and what they will do; artists that are working with composition and color; lines, planes and depth,” explains Danielle.

With over 40 emerging and mid-career artists in their stable, producing abstract, landscape, cityscape, figurative art, impressionism, expressionism, street art, op art, minimalism, and installation art, SLATE has a prodigious rotating collection. About 75% of the artists SLATE represents are based in California, with one-third of that group from the East Bay.

SLATE is a physical gallery in the vibrant Uptown neighborhood of Oakland and participates regularly in promotional events including First Fridays, Saturday Stroll, and Art Murmur. SLATE is also a consultancy, helping homeowners and business owners make decisions about purchasing the right art for their spaces.

“We are really looking for art that people want to live with in their homes,” Danielle explains. “Our emphasis is on art that fulfills the senses in some way, feeding the spirit with beauty and bringing the mind to a place of clarity. Political and conceptual art, by contrast, are important, but are not what most people want to wake up to in the morning or come home to at the end of the day.”

Additionally, SLATE works with Interior Designers and Architects to help them select pieces for their clients and projects. (One of Arana’s favorite Interior Designers is also a visual artist represented by SLATE, Anastasia Faiella.)

Danielle’s parents were artists and, “for the longest time I thought I would do anything-but!” She laughs.

She ended up “falling in love” with Art History in college, obtaining her Ph.D., and then working at Sotheby’s in London for four years. Instead of becoming a subject expert, she found herself drawn to a business development and strategy track. “I learned that I enjoy managing projects and working with people. So now, I get to do these things and do them in relation to the art world, while supporting a local community of artists and collectors.”

Danielle opened SLATE in March 2009, in Temescal. In 2013, she partnered with Shelley Barry which enabled SLATE to expand into commercial art consultancy for businesses, offices, building lobbies and the like; and they moved the gallery to its current location, where, this year, they celebrated the businesses’ 10th anniversary. SLATE Art Consulting serves clients all over the San Francisco Bay Area, including the Peninsula, Marin, Napa, Sonoma, Berkeley, Oakland, Orinda, and Lafayette. SLATE also has a presence in North Lake Tahoe with rotating exhibitions at the Ritz-Carlton hotel and a local representative to work with clients in Truckee, Martis Camp, Northstar, Mountainside, Incline Village, and surrounding areas.

But wait! There’s more…

Community Member Spotlight: Our Beloved Writer/Editor our beloved Julie

Community Member Spotlight: Our Beloved Writer/Editor

Longtime readers of our print newsletter may have noticed that not all of our articles are about paint or painting (fun topic for us, but maybe too repetitive for you) and that most of our articles are written by me or Julie Feinstein Adams — plus the occasional featured guest, or reprints from the blogosphere.

This month, we give you a behind the scenes peek at our newsletter creation process, putting the spotlight on our writer and editor and her contributions — who she is and how she is not only one of the loveliest people you will ever meet but also how she makes the “magic” of words happen for us, every issue.

Julie Feinstein Adams’s first professional writing job was as a freelance writer for the Daily Californian in 1989, and she performed her first autobiographical solo show in 1992 — both of which marked the start of a wide-ranging career encompassing journalism, theater arts, public relations, and marketing content and consulting. Julie Feinstein Adams has spent decades telling stories — others’ and her own.

Business Growth Network, a BNI Chapter where we met Julie

Her current projects include working on her memoir — in the forms of both a one-woman show and a book — about her marriage to a person who transitioned genders. (View an early version/short performance, here: jfacommunications.com/wtf-solo-showdown.)

She also volunteers with OurPath.org, hosting an online support group meeting for Partners of Trans People.

Julie and I first met in a local business networking group in 2008 and we immediately bonded. Since I have always been a wannabe writer, of course, I was drawn to her! She is a storyteller with a passion for the way that stories connect people; I am all about building community connections; it was a match!

For me, this newsletter is my form of craftsmanship. Why do Arana’s painters get to have all the fun, engaging their craft? With Julie, I get to take to my little soapbox/sandbox and do the otherwise ordinary task of writing a newsletter, my way. Arana is a painting business, yes, but we also love sharing about different aspects of the Bay Area and the things that are meaningful to us — and hopefully, this benefits you as well.

BY MARKETA

How It All Works:

In our monthly brainstorming meetings, Julie and I bounce ideas off of each other and take notes, which then become drafts. Sometimes we compile resources on a topic and that becomes a how-to article, other times we interview a community member or highlight an industry partner. These interviews become profiles, or we edit the material into guest posts, thus giving voice to, or ghostwriting for, those colleagues and friends.

As I’ve said many times in this space, and as inscribed in Arana’s mission, I deeply value community, especially community health and beautification. So, by spotlighting my colleagues and friends, as well as the cool things we find out about, and the recipes we love, this is me being of service, aligning my work with my heart-of-hearts wish for all of us — that we all thrive, prosper, and enjoy life!

The Thing About Julie:

Julie is not only a writer and performer, but she is also a coach, specializing in both business coaching and dating coaching. (Yes, dating coaching is a thing; that’s what I love about living here; there is help for everything!)

Julie explains: “As I was working with my clients — whether producing marketing content or content for dating profiles — I recognized that I was helping people clarify and articulate who they are and what they have to offer, and how their stories, the things they care about, connect them to others. So, in 2011, I became a coach.

“Whether I am working as a coach or as a writer, I am seeing beauty, or you could call it ‘essence,’ and putting a frame around that. I’m listening for that underlying thread, perceiving what is wanting to emerge, and helping my clients to recognize it in themselves and be empowered by it.”

Julie’s writing is a kind of coaching for me. It does something. It gives my thoughts form and content and helps to grease the wheels of expression. When Julie and I do this newsletter together every month, the idea generation doesn’t even take that long; it’s effortless. She’s like my own personal Blarney Stone! I get on a call with her and the ideas just start rolling in. Everyone needs a Julie!

From soup to nuts, newsletter production is a cottage industry: our in-house process includes Kristina Islas (eyecatcherdm.com) who handles the graphic design aspect; Courtney Montecino, our Assistant to the Customer Account Manager (and whom many of you talk to when you schedule your site visits), who is our proofreader, plus my daughter Sofia who does the folding and stuffs the envelopes for our print edition!

Julie offers life, business, relationship, and writing coaching, as well as group workshops on memoir writing and business blogging. If you are an aspiring writer — this is for you! Learn more at: jfacommunications.com

5abd2d_802f20c63b7b46d9bb7c8c5d45947d9c~mv2

Featured Interior Designer Colleague: Congratulations Heather Cleveland!

HCDS’s kitchen design selected for million-viewer Design Trends Forecast 2024 round-up

Arana has been delighted to be working with Heather Cleveland of Heather Cleveland Design Studio, helping realize her visions for her clients and projects. In this article, we wanted to spotlight the recognition she recently received for her design talents, compliments that are richly deserved!

This kitchen Heather calls “moody” and “hippy-meets-traditional-English” features loads of warm wood grain paneling and cabinetry accented by deep-olive-green tile, making it a winner in the eyes of Interior Design influencer Emily Henderson (stylebyemilyhenderson.com) who selected it as a harbinger of trends for 2024. View article: 7 Kitchens that Have Real Staying Power Because They Are That Good

Keep an eye on HCDS as this firm is a rising star in the Bay Area and will be one of our designer colleagues vying for a slot in Oakland Magazine’s Best-Of contest, coming this spring. We’d love to see you nominate your favorite designers and contractors during the nominations phase in March and April including us! (And of course during the Voting phase, which happens in late April and May.)

If you need ideas for nomination-worthy folks, please feel free to consult our “2024 Home Services Buyer’s Guide” which you can find on our website in the “Inspiration Hub,” under “Resources”

Pantone Color of the Year for 2024 Mostly a Miss

Pantone Color of the Year for 2024 Mostly a Miss

Experts weigh in on the awkward feeling surrounding 2024’s pick
A tradition since it was first introduced in 1999, Pantone’s announcement of the Color of the Year usually evokes a sense of whimsy and excitement. From their wildly over-embroidered company language in their press materials, to the bold graphics the company chooses to illustrate it, their Color-of-the-Year announcement has always been greeted with a fair amount of joy.

More a harbinger of industrial and fashion design trends, Pantone’s Color of the Year does sometimes seemingly predict or at least influence play in interior design schemes. Last year’s super-fun Viva Magenta was the perfect example of this, showing up as pops of color in some rooms, and whole walls and even ceilings in others. (See our article on this vibrant color pick from last year.)

This year, we aren’t so sure that will happen.

The reveal of “Peach Fuzz,” Pantone’s selection for 2024, has left us queasy and confused, and we are not alone. The New York Times recently published an article about the color, and the expert opinions gathered echoed our immediate reaction.

Discomfort with the name (which is redolent of pre-pubescence) as well as the actual tone (evoking a limited 1970s powder foundation palette matching Caucasian skin that decades of social justice work have forced makeup companies to expand, or the even more limited definition of “flesh” by Crayola) was not unique to us:

“When I think of peach fuzz — and Peach Fuzz — I think of preadolescents,” noted one reviewer… “Does the shade remind anyone else of a complexion? Specifically, a light one? That gave me pause, for a moment. I think about how brands like Fenty Beauty have pushed the cosmetics industry to make shade ranges that include people of color, especially those with dark skin. This color, plus the skin connotation of the ‘Peach Fuzz’ name, hews pretty closely to the shades worn by white people that there are no shortage of,” concluded another.

Additional comments addressed the color’s indistinct, rather fuzzy vibe: “A noncommittal shade. Neither pink nor orange;” “so, 2024: a year not for bold decisions, but for communicating a sort of vague pleasantness;” and “maybe a quiet, neither-here-nor-there color with just a hint of cheekiness (peach emoji, anyone?).”

However, dragging ourselves away from obsessing on what feels like a marketing miss by the industry leader, we can foresee that the color itself might in fact show up in interior designs this year.

The trend seems to have started last year as we personally noticed an increase in designers showcasing rooms with warmer neutrals, layering earthy terra cottas and corals with pale-peach-leaning beiges and highlighting with creams.

In its own way, Benjamin Moore seems to be on top of the pro-peach-slash-warm-neutrals trend with one of its palettes for 2024:

And yet, note that the top color BM proclaims for the year is “Blue Nova.”

Followers of our blog and newsletter for years — or fans of Benjamin Moore — know that the paint company always covers its bases with multiple palette options each January (see our color of the year report for 2023, also located on the “Resources” page of our website) — and these are usually tangential or entirely unconnected to Pantone’s prognostications.

For 2024, Sherwin Williams put forward what the company deems “a breezy, blissful blue,” they call “Upward.”

While we love the sentiments they claim it inspires, “brimming with positive energy, creative thinking, and total contentment,” we’re not sure this color is that. It feels a bit gray to us. Not a bad color at all. Certainly a lovely pale, cool blue. But not quite what we would call “a sunny-day shade.”

Still, it is a beautiful blue, and not unlike the tones Dina Bandman’s winning design reflected, in her sunroom/breakfast room en français for the 2023 San Francisco Decorator Showcase house, a vision we helped manifest:

1915 Highland Painters

Paint Is Elemental

Paint is elemental. It is, in essence, a creamy blend of many of the earth’s elements: minerals, resins, oils, clays. Yes, paint can be and historically has been manufactured with heavy chemicals and toxic compounds, such as lead. But, fortunately, there is now paint on the market that is made in a manner that is truly non-toxic!

The fact is, we cannot live without paint. It’s like skin. No building could really stand for any duration without it.

In the early training of our painters, we teach them about the ingredients of paint on every product we use, and we require that they read the technical datasheets, as well as the manufacturers’ instructions. You might think that paint is a benign liquid that comes in a can and can be simply slapped on, but it’s not that simple.

I love this description of paint by the National Park Service in their “Preservation Brief 28: Painting Historic Interiors” document. It speaks to the amateur engineer in me, as well as the crunchy woo-woo type who loves crystals (also me):

“Paint is a dispersion of small solid particles, usually crystalline, in a liquid medium. Applied to a surface, this liquid has the special quality of becoming a solid, protective film when it dries. Paint also enhances the appearance of surfaces. A late Victorian writer observed that the coming of a painter to a house was cause for celebration. Indeed, these statements not only indicate the chemical and physical complexity of paint, but also its emotional impact.”

The Park Service document goes on to say, “Until the mid-20th century, almost all paints used in America could be divided according to the type of binder each had. Chemists sought to improve paints, especially when the two World Wars made traditional paint components scarce and expensive. Modern paints are far more complex chemically and physically than early paints. More ingredients have been added to the simple three-part system of pigment, binder, and vehicle.

Fillers or extenders such as clay and chalk were put in to make oil paints flow better and to make them cheaper as well. Mildewcides and fungicides were prevalent and popular until their environmental hazards were seen to outweigh their benefits. New formulations which retard the growth of the mildew and fungi are being used. As noted, lead was eliminated after 1950. Most recently, volatile organic solvents in oil paint and thinners have been categorized as environmentally hazardous.”

Did you know that painters used to be called “Mechanics”? Or at least, that is something I read somewhere once, and our Project Superintendent Steve Rubenstein and I like to say, Mechanic as a title for painter really speaks to us: This idea that painting is an art and a science, that it requires specialized tools and knowledge, and that trade knowledge is far more vast than what is portrayed on the fast-forwarded frames of HGTV.

vintage paint ad
Historically, the use of paint as protection and decoration has been recorded all the way back to the first century! Like many great innovations in the development of civilization and science, the first place on record where paint was used to decorate and protect building structures was in China: Ancient craftsmen applied hand-ground pigments, such as ochre, to wet plastered interior walls.

A structure cannot maintain integrity without paint. And a surface must be prepared, and paint properly applied, for the overall job to last for the long term.

This is something I would love for both laypeople and contractors to understand. Often, painters are regarded as providing decoration, less important than builders, plumbers, electricians, etc., and not appreciated for the highly detailed, mechanical, methodical process it is. Paint is integral to a project, and not just because it makes things pretty (although we certainly love making things pretty, too).

I am so passionate about the craft of painting because it really is an art and a science. If I talk about how proud I am of our processes, and our team, I’ll sound like I’m bragging. Maybe I am! I feel very strongly that hiring a skilled craftsperson, or a team of skilled craftspeople, is important because what we do, what we know, can make the difference in not only how a project looks, but also the longevity of it. Everything I do in my life has to align with my personal values.

Thus, running a company that has the mission of painting buildings well to beautify and protect them, which then helps maintain and support communities, and the people who live within them, while also giving good-paying jobs to skilled craftspeople that helps them support themselves and their families, while also being conscious of both using and protecting the gifts of our earth’s resources — that’s me, and Arana, in a nutshell.

Maxwelton After-2584

After and During/Before: A Brown-Shingle Exterior in Piedmont

A repeat-client for Arana! This client purchased a new home in Piedmont and called us in to do some restoration and repair on the front door frame and period details on the wood balcony/decking.

We applied a clear product to the shingles that both protects against moisture intrusion or damage, and is flame retardant. We applied a protective and beautifying varnish to the doors, and the gorgeous wine-purple paint color the client selected that transformed the window frames and brought out the beauty of the home as a whole.

Powder+Room+-+JCD+Guerrero+Street

Perfect Powder Room and MORE: Designing for Small Spaces with Jaclyn Christensen

Followers of our Instagram or Facebook feeds may have noticed that occasionally we just can’t help but shout out powder room and water closet designs. There seems to be something about them that inspires bold choices and whimsy. A jewel-box quality. Is there a difference when designing for large or small spaces? We thought it would be fun to discuss this topic with interior designer Jaclyn Christensen, of Jaclyn Christensen Design for whom Arana has recently provided wallpaper and paint services on multiple projects — all of which absolutely delighted us.

Note: Our article features AFTER images of the stunning Victorian water closet design under discussion, as well as transformations throughout the 1300 sq ft, two-bedroom home in San Francisco. Jaclyn also shared with us her cell phone snaps of the BEFOREs, which we get to share with you! This JCD project was recently featured in California Home + Design magazine.

Arana Craftsman Painters: So, let’s get to it!. Small spaces, what makes them different?

Jaclyn Christensen Design: Sometimes small spaces are more fun than large spaces, because the challenges they present are different. Of course, every space is ultimately a challenge in some way, a puzzle to solve. You have to find the right pieces that fit together.

Arana: Are there rules or guidelines for choosing colors in large vs. small spaces?

Jaclyn: When it comes to color, I don’t think there are any rules. Some might say ‘Never paint a small space dark because that will make it feel smaller.’ But I don’t subscribe to that at all. Color choices depend on what you want the space to feel like. If you want a moodier space then we’ll pump up the color, choose one that has a saturated impact. If you are looking for more light and airy, we will handle that decision differently. It’s really about what the client is seeking, how they want to feel.

Arana: Can you say more about what went into the design for that stunning Victorian water closet?”

Jaclyn: Well, the client didn’t say ‘Hey, we want a moody water closet!’ But given that this is a Victorian era home, the inspiration to play with pattern and color came from there. It is true that powder rooms and water closets can be particularly fun spaces to stretch the creativity. It’s a bit of a contradiction, but for certain small spaces you can really push the boundaries, push the design.

Arana: It seems like possibly because it’s a small space, clients might feel more inclined to take risks there. Is that accurate?

Jaclyn: Yes. Clients are typically more willing to go a little crazier and bolder in a powder room or water closet because there’s a boundary. You can shut the door. It’s not their main living space.. It’s a little moment of their day; a little moment for their families — and guests, if they entertain a lot.

Arana: Do you ever have projects where the client wants to go bold throughout the house?

Jaclyn: Not yet, but I would love to have that client who would want to go big — ‘The sky’s the limit!’ That said, I am grateful to have clients who have that trust and believe in my capable hands to create the space they want for them and their families. This project was exactly that. These clients were so trusting of me, my design expertise, and the process. It grew exponentially over time as they saw how the results were really changing their experience of their home. We ended up touching the whole house. No pillow left unturned! The most successful projects are when you are really in sync with your client. They trust the person they hired to lead the way.

Arana: Did you have to talk the clients into the bolder elements of your design ideas?

Jaclyn: They were such wonderful clients — they were game for everything I put in front of them! From the black-and-white marble floors in the kitchen to the floor-to-ceiling marble tile and slab in the bathroom; the beautiful Philip Jeffries wall coverings and the gorgeous Waterworks fixtures! They did not skimp on quality or detail.

Arana: You mention that this project started small and then grew. What was that process?

Jaclyn: Well, many design projects have their way of kind of organically expanding on their own, because design in itself is not a straight line; this room touches that room and changes in one affect another. In this case, we started with just tackling a remodel, kitchen and bathroom, but because of Covid, timelines slowed down, and while we were waiting for the contractor to come on board, we turned our attention to furniture and fixtures throughout the house. Normally we would start with construction and then furnishings, but due to the effects of the pandemic we were having to switch up our priorities.

Arana: It seems like you were inspired by the Victorian-era architecture, but not tied to it. Is that accurate?

Jaclyn: Yes. With Victorian era architecture, I like to keep original details intact and use them to my benefit, while having them work seamlessly into the new design. These clients have a love of mid-century modern furniture. So my goal was to marry the two styles and have the result feel holistic, to have them feel like they belong together. One of my favorite things to do is mesh different design styles and have the results feel seamless.

AFTER photos by Christopher Stark

Amato-Architecture-Great-Room-scaled-3 (1)

Architects and Designers: Who does what and how do they work together?

The field of home building and remodeling has a clear path from design to construction, then on to “the finishes,” and lastly, the furnishings. After the initial design plans are complete, architects can and often do play a role throughout the construction of the project.

But, when do interior designers get involved? And can architects and interior designers ever coexist on a project?

We sat down with interior designer Vaughan Woodson of Woodson & Woodson Interiors and architect Rebecca Amato of Amato Architecture and asked them to share with us how they work — together, and separately — to help homeowners make optimal design choices for their homes.

“Often the overlap occurs in the finishes,” Amato explains. “When a client asks me if I can provide design services, I say yes, but up to a point. I will specify anything that stays attached or needs to be attached to the house, i.e.: cabinetry, tile, flooring, paint colors, lighting, plumbing fixtures. Where I draw the line is a whole other area of expertise: soft furnishings, window treatments, and accessories.”

(Featured image of project at top of article: design by Amato Architecture, build by McCutcheon Construction.)

Design by Woodson & Woodson Interiors

Woodson agrees, “When I work with an architect on a project, I appreciate being able to collaborate — with the client’s use of the space as the number-one end goal. Fortunately I’ve been doing this work for a long time and I have zero ego about it, and I think that makes me nice to collaborate with — or so I’ve been told! I have no interest in making a mark on my clients’ home other than my client saying, ‘Vaughan taught me so much about what my style is; I never would have chosen this; she pushed the envelope!’”

Design by Woodson & Woodson Interiors

Both professionals describe a clear dividing line as being about structure. Here, instead of overlapping, their skill sets complement one-another, and mutually affect the results.

Design by Amato Architecture

As an architect, structure is Amato’s passion. As she describes her thought process: “How do I move walls and create a floor plan that is functional and flows? That showcases the focal point of each room, such as art placement, or a big beautiful fireplace? If I get to do that and then the client says, ‘Okay, now I want to bring in an interior designer,’ that’s great. I love, love, love partnering with interior designers! Working with a designer, I can communicate my vision, how I’m thinking about views, where I am creating seating areas and moments, and then pass the baton.”

Both agree that it is best to bring in an interior designer early in the planning phase. As Woodson describes, if she wants to specify a particularly spectacular sofa, she may share the measurements with the architect, who might look at shifting the location of a door to optimize wall placement for it.

Or the two might have a conversation about window treatments — Will they be minimal? Will allowance be needed to create a pocket for roller shades? — If the client wants curtain panels to soften the room, space between the window casing and the crown molding will be included in the plans.

Design by Woodson & Woodson Interiors

At the most basic level, Amato’s expertise as an architect is required when drawings are needed, especially when desired changes to the home trigger a call for permits. Woodson notes that while she, and most interior designers, have their own subcontractors they work with for cosmetic changes, “as soon as the client says, we are looking to renovate our kitchen, add a sliding door, that’s when I would bring in Rebecca.”

Amato describes the flip side, when she refers potential clients to Woodson: “Sometimes, someone calls and says they are remodeling, but they are not moving any walls — that’s probably not a good fit for me. I tell them, ‘You’d be better off working with a designer.’”

Architect Rebecca Amato

There are design firms that have an in-house interior architecture department and per Amato, some building department staff will allow a person who doesn’t have a license to prepare drawings — although in that case it is helpful if the drawings are combined with a report from a structural engineer.

Another way to look at how design and architecture interact is around furniture. Do you, as a homeowner, know what pieces you want to replace or hold onto?

For her clients, Woodson likes to determine at the outset which pieces are worth keeping. “I’m a preservationist at heart,” she says. “I prefer to try to use what we have — if it works with the design direction we are going in. Sometimes really great design comes from using the clients’ own pieces, because that way, we are putting their story in.”

Interior Designer Vaughan Woodson

When you come at interior space design from this angle, Woodson explains, “maybe the dining room gets bigger, and in the laundry you don’t end up with a counter — because those decisions accommodate the story and the richness.”

Amato agrees, “I think about the furniture in the room. I will ask them, ‘Are you planning on purchasing a new dining room table, or using one you’ve inherited from your grandmother? And I will take those dimensions into account.”

“We want to know, what’s the pain point of your home now? And does this table not seat enough people, and you always wish that you could seat 8 because you have a family of 4 and you would like to have another family of 4 over and you can never do it? What are we solving — and spending all this money on with design services? Good design comes from that,” Woodson adds.

“Yes, that’s critical,” agrees Amato.

When a designer and architect collaborate, Amato says, “we are sharing as much information about the client as we can, from what’s important to them, to what their styles for decision making are. What are their hopes, and what may be some of their limitations. Maybe they’re doing work in phases because of a budget or they’ve got kids going off to school or they’re pregnant…. On a deeper level, it’s not just about the facts of life, but really, what their emotional experience is going to be.”

Ultimately, “we are following the client’s lead,” says Woodson, “and trying to make the most stylish product from that.”